Yesterday Olivier Latry gave a wonderful performance on the superb Dobson organ in Merton College Chapel, to celebrate its 10th anniversary. I can’t think where that decade has gone, as memories of working on the project (a real highlight for me) are as fresh as ever. The large Dobson factory was completely destroyed by fire eight years later; it is good to be able to report that the new factory is now built and being fitted out with machinery. Exciting times ahead for Dobson after their dreadful bad luck.
I’ve just returned from an interesting and enjoyable week in the USA, visiting organs by the J.P. Buzard firm, in advance of writing an article for Choir & Organ. I arrived in Chicago just in time to see everyone out in the streets looking up at the eclipse – good timing!
The Buzard organ in Episcopal Chapel of St. John the Divine, University of Illinois
Visited organs in Chicago, Nashville and the company’s home town, Champaign. Wonderful instruments and lovely hospitable hosts.
Swell soundboard for St. Joseph’s Catholic Cathedral, Jefferson City, MO
Symphony Hall Birmingham, St John Passion, Bach, performed by Ex Cathedra
As a teenager in the late 1960s / early 1970s I would attend Birmingham Town Hall every Good Friday, where the City Choir and the Choral Union, together with the CBSO, with Roy Massey at the mighty Willis organ, would alternate the St John and the St Matthew Passions. These were performances on a massive scale, leavened by also attending the more stylish interpretations offered in St Philip’s Cathedral by the lithe Birmingham Bach Choir under Richard Butt, with Orchestra da Camera and Roy Massey at the organ. Jeffrey Skidmore, a Birmingham lad one year older than me, also attended such performances and in 1969 founded Ex Cathedra to offer even more stylish interpretations than the Bach Choir. An astonishing fifty-five years later, the choir has long been a much-loved West Midlands institution, renowned for its imaginative programmes, outreach work, and the researches still being carried out by Jeffrey. Their St John on Good Friday celebrated the 300th anniversary of the work’s first performance, augmenting it with motets, readings and clever organ improvisations (by Rupert Jeffcoat). All I have to say is that if J.S. Bach had heard this concert, he would have been utterly delighted, as was a large audience, by its beauty, drama and loving attention to detail. A moving and truly memorable experience.
Anne and I attended a matinée performance of Ben and Imo, a play by Mark Ravenhill. A tour de force for the two actors (Victoria Yeates and Samuel Barnett), the play tells of a turbulent year (1952-3) in which Imogen Holst arrives at Aldeburgh to ‘help’ Benjamin Britten write Gloriana, a full-scale opera commissioned for the Coronation of Her Majesty Queen Elizabeth II. Their developing relationship is complex, intense, turbulent and creative. There is not a dull moment in this captivating and thought-provoking play, which I recommend most warmly to anyone reading this.
This was a happy day when Jonathan Scott gave a brilliant recital to a packed church on the fine Henry Groves & Son complete rebuilding of the well-known large 3-manual 1963 J.W. Walker organ. See the Scott Brothers YouTube channel for some concert items – notably the first movement of the Elgar Sonata. I have enjoyed being consultant for the project (see my history of the Holywood organ) and gave a demonstration recital the next day to a most appreciative audience. The first photograph at the console (Walker, restored by Renatus) shows Edwin Gray (long-serving organist of the church), Jonathan Wallace (of Henry Groves), Jonathan Scott and yours truly.
The second photograph is a good view from the console to the organ’s twin west end cases, with me rehearsing.
I’ve been looking after the project for a partial restorarion of this stupendous Binns for a few years. Nothing could be done in the Hall until the multi-million pound restoration of the building and its environs was complete, at which point David Wells Organ-builders returned the Great soundboard and pipes, along with the Trombone and its chests, following complete renovation after water penetration from a formerly leaky roof. A second stage, for which funds will need to be raised, will see the rest of the organ restored in due course. It has to be my favourite Binns, despite having been a Trustee of its bigger brother in Nottingham’s Albert Hall. It’s much more fiery than the Nottingham organ, yet still has the extraordinarily powerful and resonant 32ft Double Open Wood which is such a hall-shaking feature of both instruments.
I spent a happy day in Holywood (Belfast) today, checking over the all but complete Henry Groves & Son rebuild of the large 1963 J.W. Walker in the parish church. Known for its splendid choir and many concerts, this large Victorian church has benefitted from a fine organ since 1872, its 1963 rebuild in twin cases at the west end being something of a landmark in organ-building in Northern Ireland. Now remade with new chests, a new wind system, tonal rebalancing, new electrics and a refurbished console (both by Renatus), it’s all but ready for its opening recitals next month by the fabulous Jonathan Scott, followed the next day by yours truly.
Today I surveyed an unusual organ with an elegant case. St Mary’s Willingdon had a small organ by Hill (dated 1893) which was rebuilt with electric action and a detached console in the 1950s, the slender base of the case then, over the decades, being completely filled with additional Pedal and Great ranks. I have never seen so many pipes – plus electro-pneumatic relays – in such a small space! What to do with it – ah, that is the question. Curiously, it all sounds rather fine down in the church, so some serious thought is required. All too easy and glib to say ‘scrap all the additions’: organ consultants are paid to be more imaginative than that. There was a smile on my face as I left, recalling the wonderful mis-spelling on one of the stop keys: “Faggotta”!
Paul talking at the Bloomsbury Organ Day, 27th January 2024
January has been a mercifully quiet month, ending with a most enjoyable Bloomsbury Organ Day at the Bloomsbury Central Baptist Church, during which I gave an illustrated talk about The Organ Club and its well-supported September 2023 tour of the organs of Greater Birmingham.
Music room library
I’ve been able to catch up with jobs such as ‘remaindering’ some of the least-used academic music books in my library to the attic (there are Billy bookcases up there!), to make room for currently homeless and more useful replacement organ tomes. My life-long passion for collecting books and booklets on the organ has resulted in some 1,400 of them on my shelves, plus many hundreds of specification leaflets and smaller booklets in folders in cupboards beneath the shelves. The photograph herewith gives a good idea of the library side of my music room. The drawers contain organ CDs. The unit was designed and made for me by Renatus of Bideford; I’ve been thrilled with it ever since it arrived seven years ago. There’s a library ladder, too, not in shot.
St Clement Danes as people arrive for The Organ Club’s annual Organ Competition
December has been an extraordinary month, ending by judging the first day of the Organ Club Annual Organ Competition in St Clement Danes. The organ is unchanged – Ralph Downes and H&H in RFH mode – and pretty fine it remains.
Ruth Massey Tribute – front cover
Just a few days before, on Thursday 21st, it had been my privilege to give the Tribute which Dr Roy Massey had composed (with additions by David Briggs and myself) at the funeral of Roy’s beloved wife, Ruth, in Hereford Cathedral. It was a truly beautiful service, with inspirational singing from the cathedral choir conducted by Geraint Bowen and some stirring congregational singing, led in no uncertain way by Peter Dyke at the famous Father Willis.
Morgan rehearsing singing the Torah
During the month there has been my usual organ consulting work but our most important family event was the ceremony on 2nd December in the Manchester Reformed Synagogue, at which our son Morgan (who is director of music there) was taken into the Jewish faith. The photograph shows him rehearsing singing the Torah at that service. Quite a day.
